i am made of stars flowers and magic ☆








Rae Earl Appreciation Week:

day five  SADDEST MOMENT

 "Then that’s what you need to tell yourself every time you feel that panic, that anxiety. You need to soothe yourself like you would soothe that little girl."









Part of me is made of glass, and also, I love you.

- Nicole Krauss, The History of Love









starfleetbabe:

i’m undestanding this thing a little better

made with emofuri









i.

We are hard on each other
and call it honesty,
choosing our jagged truths
with care and aiming them across
the neutral table.
The things we say are
true; it is our crooked
aims, our choices
turn them criminal.

ii.

Of course your lies
are more amusing:
you make them new each time.
Your truths, painful and boring
repeat themselves over & over
perhaps because you own
so few of them

iii.

A truth should exist,
it should not be used
like this. If I love you
is that a fact or a weapon?

iv.

Does the body lie
moving like this, are these
touches, hairs, wet
soft marble my tongue runs over
lies you are telling me?
Your body is not a word,
it does not lie or
speak truth either.
It is only
here or not here.

- Margaret Atwood, We are hard on each other  (via corcordium)

(Source: colinfirthhasmoved)










“Aubrey always makes surprising choices. She took the character of April and made her this multi-dimensional person. Scary and soft. And always hilarious. Unlike April, she is really open and light and a secret goofball. Plus, she’s part witch, so she can turn you into dust. Watch what you say about her.” — Amy Poehler
“Aubrey always makes surprising choices. She took the character of April and made her this multi-dimensional person. Scary and soft. And always hilarious. Unlike April, she is really open and light and a secret goofball. Plus, she’s part witch, so she can turn you into dust. Watch what you say about her.” — Amy Poehler

(Source: cordettes)









"I remember reading something Paul Thomas Anderson said, that you can often feel betrayed by films, because you’ve seen this moment dramatized before in a film, and I guess that’s what the moment in Magnolia where Philip Seymour Hoffman says, “This is part of the movie where you help someone out” is about. There’s no way of putting the genie back in the bottle, that kind of awareness of dramatized moments; you can’t erase it. In the most horrific circumstances of natural disaster, one of the main things that people are saying, “God, it looks like a film.” The moments when you should feel the most connected t things, there’s this awful, dissonant, alienating thing that occurs. I think that’s slightly what Oliver’s suffering from. He almost can’t take moments seriously, because he’s seen them before. To me, that seemed interesting, and isn’t done that much. Scream kind of did it. I think those first two Scream films are incredible, and The Faculty. There’s a real pocket of brilliant writing that Kevin Williamson did in the first season of Dawson’s Creek, which I loved. I really loved Kevin Williamson.” -Richard Ayoade









Let me look at you in a light that takes years to get here.

- Solmaz Sharif, from “Look” (via proustitute)









beckycloonan:

Batgirl (of Burnside)









(Source: aubzplaza)










You don’t tell me who I can and can’t fancy, all right?! That is mine. That belongs to me, no one else, no one. Not even you.

You don’t tell me who I can and can’t fancy, all right?! That is mine. That belongs to me, no one else, no one. Not even you.

1   2   3   4   5   »